Showing posts with label oh the horror. Show all posts
Showing posts with label oh the horror. Show all posts

Sunday, June 26, 2022

SUMMERFEST '22: Wanna Play? (June 20-26)

I’d seen the first two Child's Play movies, heard mixed things about Bride and Seed, and great things about Curse and Cult. I got the box set of these main seven films about a year ago and decided to use my summer calendar as an excuse to finally tackle this franchise properly. The reboot and TV series are on deck for next week. Spoiler alert: I think this has turned out to be my favorite overall slasher franchise.


Child’s Play (1988) (rewatch)
Trailers: Fright Night, Magic

I like this more every time I watch it, and it’s still pretty effectively scary. I love how the story builds and that you don’t even hear Brad Dourif’s iconic voice performance until just past the halfway point, and that weirdly it's frequently the job of adorable child actor Alex Vincent to sell the scares in the first half. But when Chucky finally reveals himself to Andy’s mom in one of the greatest profanity-riddled explosions of all time, the movie really kicks into high gear. The ending is a bit much, with one or two too many “we got him”s. But this movie spawned a franchise for a reason. Classic 1980s horror.


Child’s Play 2 (1990) (rewatch)

Trailers: Friday the 13th Part 2, Toys


The concept is already getting a *bit* repetitive here, but I appreciate that the early movies take seriously what would actually happen to the characters who cross paths with Chucky. It feels pretty logical that Andy would be separated from his mom (who was put away because no one believed her about the murderous doll) and end up a ward of the state. While I like the original more, the second film has several memorable sequences, such as the opening reassembly of the original doll, Chucky beating the teacher to death with a yardstick and basically the entire third act in the doll factory. Also, Kyle rules. Can’t wait to see her again later in the series.



Child’s Play 3 (1991)
Trailers: Nightmare on Elm Street 3: The Dream Warriors, Trilogy of Terror


I appreciate that this is a wholly new setting, but it’s not a very interesting one. Putting a now teenaged Andy in military school is, again, a refreshingly realistic development given what has happened to him and the fact that no one could possibly believe his reality. Much like Freddy in *his* third installment, this is where Chucky’s personality and one-liners start to wear thin (it will get much worse, I’ve heard). The climax in the dark ride is kind of fun, but you have to wonder where all the other people are and how no one else is seeing what’s going on (also why a ride in a pop-up carnival is so dang huge). I didn't think this was terrible, but I can understand why the movies went in a completely different direction after this.



Bride of Chucky (1998)
Trailers: Bride of Frankenstein, The Bride


So between the third movie and this one, Scream happened and this was creator Don Mancini’s response to horror's new self-awareness trend. I know it’s super-cheesy and messes with the series continuity in some annoying ways (Since when does Chucky need an amulet to transfer his soul? Why is Charles Lee Ray buried in New Jersey when he died in Chicago?). And it has maybe the most boring and annoying human/non-killer characters in the entire franchise. But it *does* bring in the best new addition to the series so far — Tiffany Valentine, as played by Perfect Queen Jennifer Tilly. Every moment she or her doll counterpart are on screen is a gift. Okay, maybe not the wackadoo ending. For all its flaws (doll sex, wtf? — also criminal underuse of John Ritter), it’s still incredibly fun and takes the series in a welcome (to me) new direction. I loved it.



Seed of Chucky (2004)

Trailers: It’s Alive, Demon Seed


Even more ludicrous than its predecessor, this one introduces super-accelerated voodoo pregnancy, Jennifer Tilly as herself *and* as Tiffany, and Tiffany and Chucky’s nonbinary offspring named Glen/Glenda (in a nod to Ed Wood’s film), voiced by Billy Boyd. Just when you thought they couldn’t take the possessed doll concept even further, there is this insane but still very fun hot mess of a movie. Having said that, as much as I loved the change of pace of this movie and Bride (and props for the gender fluidity themes), I’m rather glad this was the last of the self-aware Scream-influenced yuckfests.



Curse of Chucky (2013)

Trailers: The Pit, Devil Doll


The series changes direction *again* with this early 2010s movie. It’s much more a return to horror, with more gore than previous installments and a tone that’s more serious while still having a hint of humor, like the original film. It also has an unmistakably modern vibe, particularly in its "old dark house" setting. We’re introduced to our final girl Nica (played by Brad Dourif’s real life daughter Fiona Dourif), and she is another great addition to the series. This installment is a breath of fresh air, while still bringing together most of the mythology that’s been built up through all the previous films. Notably, it brings back both Jennifer Tilly as Tiffany (still possessing Jennifer Tilly’s body per the previous film’s events) and Alex Vincent, reprising his role as Andy from the first two movies. I genuinely dug this.



Cult of Chucky (2017)

Trailers: Dolls, Asylum


Like its predecessor, it continues the more serious tone and more traditional horror tropes. It also very effectively plays on the gaslighting themes of the original film, with most of the action taking place in a mental institution, where no one believes the patients when they try to tell anyone about Chucky because everyone just thinks it's a product of their illness. (Side note: Brad Dourif does a nod to his first film One Flew Over the Cuckoo’s Nest that had me HOWLING.) Fiona Dourif returns as Nica (and eventually a new manifestation of Chucky). We get to see Jennifer Tilly *and* Alex Vincent again (the latter with a much larger role). Not to mention a cameo from the awesome Christine Elise as Kyle. The ending of this movie, beginning with the multiple Chuckys (and his anger over the cancellation of NBC’s Hannibal, which delighted me to no end), is bazonkers and great. I sincerely hope this is a foretaste of where the TV series is headed. But I have to watch the 2019 reboot first.

Thursday, October 2, 2014

The Grapes of Death (1978)

It's October, and I'm steeped in my tradition of All Horror Movies All the Time. Starting this year's horror glut with a little Jean Rollin.



French zombies! Well, sort of. The creatures in this film are not, strictly speaking, zombies. They’re infected (much like the people in The Crazies, I guess), but many of them seem to still have their minds, though they become homicidal after a while. The disease is from a poisoned wine supply, so it doesn’t spread person to person, as in typical zombie films. These “zombies” don’t eat people (or brains, or whatever); they just kill. And they can apparently be killed just like a normal person (bullet to the head effective, but not required).

Zombie films also tend to have some sort of political or social message, but while this movie tries very briefly to dip into political matters, it feels very out of place.

The story is pretty simple. A vineyard starts using a new pesticide that infects the workers and poisons the wine (which infects everyone who drinks it). A woman, Elizabeth, is traveling by train to visit her fiancĂ©, who runs the vineyard, and one of the infected gets on the train and kills her friend, forcing Elizabeth to flee into the countryside. Everywhere she tries to take refuge is ZombieTown. 

The movie is very slow and atmospheric (very French, in other words), but that shouldn’t suggest that it’s dull. It’s really quite beautifully shot, and the rustic locations make it seem like a story from another time (well, I guess the 1970s are “another time” at this point, but I mean from centuries ago). I love seeing how different filmmakers play with the tropes, and there are some really effective frights in this. One of the most genuinely scary sequences involves Elizabeth encountering a young blind woman. She returns the girl to her village, but everyone seems to be dead or infected and Elizabeth is trying not to alarm her, but the girl doesn’t understand what’s going on and is panicking. There’s also an extended bit with a severed head that’s particularly gruesome. (Special effects in this film are really well done for being made on the cheap.)

The director, Jean Rollin, is known for his erotic horror movies (notably his lesbian vampire movies, such as Requiem for a Vampire, Fascination, Shiver of the Vampires, etc.), and all of his films dwell lovingly on the (usually nude or partially nude) female form. This movie is the least leering (though it does still have *some* leering) and probably the most truly scary of his films.