Showing posts with label tv. Show all posts
Showing posts with label tv. Show all posts

Friday, July 1, 2022

SUMMERFEST '22: Chucky, Next Gen (June 27-July 1)

Of course, there is more to the Chucky franchise than those first seven films I covered last week. We got an attempt at a remake a few years ago, which criminally excluded creator Don Mancini (and it shows). And then the series settled in where it feels like it really belongs — episodic television.


Child’s Play (2019)
Trailers: Friday the 13th (2009), Silent Night Deadly Night 5: The Toymaker

Oh, honey no. I can get behind the idea of tech commentary horror, as the original Child’s Play was itself a commentary on toy marketing. But this didn’t need to be a Child’s Play movie, and the attempts to create a new generation of Chucky (while still trying to make him too much like the *old* Chucky — the overalls, really?!) are super awkward. There’s also a ton of weird stuff that might have made sense in the writer’s room but make no sense in execution. Like, either he’s a defective doll who doesn’t have safety programming (why would a doll even be made with violent capabilities that need to be disabled in the manufacturing stage?!) … or he has his own personality (the remake eschews the voodoo possession concept and goes with the doll programmer equivalent of spitting in someone’s drink). Also, one little plot point was so unbelievably stupid (the “present” for Doreen) that I couldn’t stop thinking about it for the rest of the movie. But it’s gorier than most of the original Child’s Play movies, if that’s your jam and it’s enough for you, especially if you’ve never seen any of the other movies. Just don’t get me started on that imprinting song.


Chucky, Season 1 (2021, SyFy)

Trailers: All Child’s Play/Chucky movies, including reboot


This feels like the perfect stew made from all of the best parts of the whole franchise, almost as if everything had been leading to this point all along. Having multiple possessed dolls solves the problem of having to continually bring Chucky back in increasingly ridiculous ways. Despite loving little Andy as the protagonist in the first two movies, I like that the main characters here are a little older, with more complex lives and conflicts, which is way more fitting for TV. I don’t think I’ve ever turned around on a character so dramatically as I did with mean girl Lexy — there’s something about crossing that Rubicon and knowing the truth about Chucky that changes a person. It also gives me another verse of my FAVORITE SONG: "Enemies Working Together for a Common Cause." There’s a surprising depth of continuity with the films (there’s even a mention of Glen/Glenda, though not where they end up at the conclusion of Seed of Chucky). I do find it weird that, among our main trio, there ends up being literally one parent (and she’s the worst one -- yes, even including Jake's abusive dad). And I could do with never seeing Lexy’s Chucky-obsessed little sister ever again (a kewpie-doll version of Dudley Dursley, who screams whenever she doesn't get something she wants). But despite some characters I wanted to bludgeon with a hammer (not to mention Chucky's Jen Psaki hairstyle), this series starts great, and just gets better and better (I'd explain why, but I've already given too much away). I can’t wait to see more of this.

Tuesday, October 20, 2009

Suck It, Day 20 - Buffy the Vampire Slayer (movie and series)

Since the dawn of man, the vampires have walked among us, killing, feeding... The only one with the strength or skill to stop their heinous evil is the slayer -- she who bears the birthmark, the mark of the coven. Trained by the watcher, one slayer dies, and the next is chosen.


Buffy the Vampire Slayer (movie and television show)


You can't talk vampires without mentioning the name of Joss Whedon, the guy who wrote a pretty good script that became a not-so-great movie but inspired him to do a stake-TASTIC television show. I pride myself on the fact that, before it became cool to quote Joss, my college roommates and I used to quote this movie all the time. "Nice ensemble; what a homeless." ... "Excuse much, rude or anything?" ... and just imagine two-time Academy Award winner Hilary Swank saying "Ugh, get out of my facial."

There had been tons of vampire movies about teenagers, but none quite like this. There have been vampire slayers and hunters, most notably Van Helsing, but none who were destined from birth to do it, given special powers to help them do it. Not to mention forced to do it alone. The quote at the top of the post is from the opening narration at the movie, but it very closely resembles the voice-over that opened each Buffy episode of the first season. In fact, for all its high-school-movie cheese, the movie remarkably resembles the first season of Whedon's show. Aside from the regular vampires, there was an ominous Master Vampire who Buffy has dreams about, is psychically connected to, and is not immediately ready to fight. There are other echoes of the movie in the television show as well. From the superficial (Buffy as a cheerleader) to the stylistic (martial arts fighting style) to the relationships between certain characters (Buffy's watcher being annoyed with her, but recognizing her as special, more special perhaps than any of the others before her).

I do have an immense fondness for the movie, but you won't get any argument from me that the television show was leaps and bounds more satisfying and richly conceived. The "high school is hell" theme was a brilliant one, and the idea that the Hellmouth attracted not just vampires but all sorts of hellish creatures gave the show a wealth of sources for villainy - a witchy mom, praying mantis lady, hyena-students, zombies, the fishy swim team, the coma kid who makes everyone's nightmares come true, the Inca mummy girl, the evil robot stepfather, eggs that hatch arachnoid babies, Faith, the Mayor, the alternate universe where vampires rule Sunnydale, the Initiative, Adam, the creepy voice-stealing Gentlemen, Glory the god from hell, the demon who makes everyone sing and dance, the super-geek trio, a very mean and nasty preacher named Caleb, and the First Evil. Among LOTS of others. And the way evil intersected with these characters' lives and their relationships was (mostly) extremely well done. Never more so than when the supernatural took a complete back seat to reality after a tragic event in season five.

I'm one of the rare fans who pretty much likes all the seasons, even later ones. (I was least enamored of S4.) And there are several standout episodes.

"Nightmares" - Everyone's nightmares start coming true, and while some of them are scary and some rather funny, a few are rather poignant, such as Giles's fear of Buffy's death due to his failure, plus Buffy's fear that her parents' divorce is all her fault.

"Passion" - Great use of narration with Angelus here, and his revenge against a certain character is truly cruel on a lot of levels.

"I Only Have Eyes For You" - The ghost of a former student forces various people to reenact his murder-suicide, including Buffy and Angel. The role reversal at the end is especially interesting.

"Helpless" - (I thought this was called "Eighteen," but apparently not.) My favorite episode ever and one that tests and ultimately strengthens Buffy's relationship with Giles. Last scene ("father's love") kills me.

"The Zeppo" - Xander gets very few opportunities to really shine, but this episode belongs to him, while everyone else prepares for the apocalypse in the background and, for his protection, relegates him to a non-participant, allowing him to have his own deadly adventure.

"Hush" - Stupid Whedon tricks are rarely stupid, and this mostly silent episode is a real slice of genius.

"The Body" - Yeah. Just ... yeah.

"The Gift" - Nearly as emotional as "The Body," for different reasons. And oh man, Giles's scene with Ben is a thing of beauty.

"Once More, With Feeling" - Duh. It's on everyone's faves list. Everyone does a great job here with the song and dance thing, but standouts are Tony Head, James Marsters, and Amber Benson. And of course the Spuffy-lover in me digs the end. :P

"Normal Again" - The supergeeks send a demon to make Buffy believe that everything she knows is pretend. This was pretty clever, I thought, especially given Buffy's revelation that she had been taken to a mental institution when she first started seeing vampires. And the ambiguous ending is just brilliant.

"Grave" - Oh, Xander.

"Dirty Girls" - First appearance of Caleb (Nathan Fillion) and the point where "shit just got real," as they say. A lot of S7 blends together with all the Potentials and training and research and whatnot, but this was a rare standout.

*******

Here's a fairly epic compilation of all seven seasons of the show, but be warned - 'TIS SPOILERY!