FAVORITE FILM DISCOVERIES OF 2015
10. Popcorn (1991)
My favorite from this year's "Dismember the Alamo" event. I've already written about it here, but this is just a lovely bowl of candy goodness for any horror fan. Sure, there are some holes (in part because of development drama behind the scenes), but this is an incredibly entertaining movie. The B-movie spoofs alone make this worth watching. Add in Jill Schoelen (The Stepfather) as the final girl and a brilliant performance by Tom Villard and this is a must-see. It also contains this gem of a line - "There's more social relevance in Police Academy 5 than in all of Ingmar Bergman's cinematic smorgasbord." - which I have no trouble believing came out of a hipster film geek's mouth.
9. The Big Knife (1955)
Earlier this year, at the prompting of my favorite movie podcast, I started to delve more deeply into the work of Robert Aldrich, starting with this film (mostly because it was streaming on Netflix and was the easiest to find). Jack Palance plays a movie star who wants out of the business because he's slowly starting to lose his soul (and his wife, played by Ida Lupino). A bleach-blonde Rod Steiger (playing a slimy studio boss) then proceeds to manipulate him to unheard-of lows, to the point that the movie's depressing ending is almost a relief. Shelley Winters also appears as a not-quite-starlet whose biggest roles have been schmoozing executives in dresses borrowed from the costume department. Aldrich had an interesting take on human frailty -- that people are always going to screw up, but they'll at least try to do the right thing, but it probably won't ultimately work out -- and this movie is a great example of that.
8. Lionheart (1990)
My favorite entry in "Van Dammage" (another stellar Drafthouse event), this is everything you expect in a movie starring Jean-Claude Van Damme, and a few things you might not be expecting. In a lot of ways, this closely resembles another Van Damme film, Bloodsport, but here Van Damme isn't so much fighting for glory as he is fighting to help preserve the family of his recently deceased brother. Harrison Page gives a great supporting performance as Joshua, a man who runs fights for money and who hooks him up Cynthia (The Most 80s Woman Ever), who does the same thing but on a bigger scale. There are actually some interesting class issues at work in this movie, and the family drama, though hugely melodramatic, is pretty darn engaging. I feel the need to point out that this is also the movie that gave us Jean-Claude in a singlet, fighting in an empty swimming pool.
7. Someone's Watching Me! (1978)
This is actually a TV movie, but it's written and directed by John Carpenter, right around the time he made Halloween and was at the height of his powers. This is a stalking movie starring Lauren Hutton, in which an unseen killer torments women until they commit suicide. It is also unmistakably a movie about casual sexism. Hutton's character has to deal with unwanted advances and turns the tables by doing some advancing of her own. She also strikes up a friendship with a woman played by Adrienne Barbeau (in a then rare sympathetic portrayal of a lesbian). This movie is kind of a product of its time (it was made at a fairly specific time in our culture, when people were starting to get interested in surveillance but there wasn't a lot of regulation yet), but it's still genuinely creepy and suspenseful with some great female characters. Probably one of my favorite things in Carpenter's oeuvre.
6. The Fall of the Roman Empire (1964)
You might see this film as a knock-off of Ben-Hur, but you'd be wrong. One of the more intelligent and thoughtful entries in the "sword and sandal" genre, this is also a movie that boasts a 100% fresh rating on Rotten Tomatoes (suck it, Ben-Hur, you only have an 88%!). More about the events that began the onset of the empire's demise, rather than the actual end of it, this movie has a stellar cast (Sophia Loren, Stephen Boyd, Alec Guinness, a pre-Sound of Music Christopher Plummer, Mel Ferrer, James Mason, Omar Sharif) and some really well-done action scenes, including a breathtaking chariot race that gives Ben-Hur's chariot race a run for its money (yes really). The set design also deserves a mention, especially the replica of the Roman Forum, which is still the largest outdoor film set ever built.
5. Roar (1981)
Holy frickin' balls, this movie. I won't recount it all here, because it would take up too much space, but I HIGHLY recommend reading Tim League's article on the background of this movie. Director Noel Marshall stars in the film, along with his then wife Tippi Hedren and their children (including a teenage Melanie Griffith). Oh, and about 100 "big cats" (a cornucopia of untamed lions, tigers, jaguars, etc.), which lived with Marshall and his family on their California estate. I spent the entirety of this movie with my jaw on the floor, thinking "what on earth made someone think this was a good idea?!?!". By the time the film was complete (an effort which took several years), 70 members of the cast and crew had been injured, including Melanie Griffith, who had to have facial reconstructive surgery, and DP Jan de Bont, who is quite explicitly scalped on camera in the film. This movie is insane, and there's no way anything like it would ever be made now.
4. Passione d'amore (1981)
This is the film that inspired Stephen Sondheim's musical Passion. I saw a French version with no subtitles, but the filmmaking was so strong that it made little difference. The story revolves around a young soldier who becomes the object of obsession of a homely, perpetually ill woman. Valeria D'Obici (who won the Best Actress award at the Venice Film Festival for her role) is a revelation, and the weight of selling the love story is largely on her shoulders. Her character, Fosca, is so clingy and manipulative that it's difficult to root for her, but she makes you completely buy that the handsome soldier she's in love with will return that love in time. This is melodrama of the highest order (Douglas Sirk could never), but it's so beautiful and compelling that I couldn't take my eyes off it. (Side note: If you like this movie, I recommend checking out Sondheim's musical as well.)
3. ...All the Marbles (1981)
Another Aldrich film, and his last. A post-Columbo Peter Falk plays a guy who manages a female tag-team wrestling duo. Their lives are decidedly unglamorous, and they hate it a lot of the time, but they know how good they are and they keep plugging away, trying to get someone to give them a shot at a championship title. The wrestling scenes are brutal, and you can practically smell the sweat in and around the ring. Falk is obviously the star here, but Vicki Frederick and Laurene Landon are wonderful and have great, complicated characters to play with. Burt Young also appears, as the slimiest promoter you've ever seen, and Richard Jaeckel also shows up as a referee. This might look like a sleazy T&A comedy from the 1980s, but this movie is the real deal and a great capper to Aldrich's career.
Nicolas Cage, Dennis Hopper and J.T. Walsh. That's all you really need to know, but here's a bit more. The film's director, John Dahl, does more television work than anything nowadays (including a couple of episodes of Hannibal), but his early film work was really solid, this film included. Cage plays Michael, a drifter who is mistaken for someone named Lyle, who J.T. Walsh's character is hiring to kill his wife. This reminded me a lot of Blood Simple, in that it's a rural noir with a lot of twists and double-crosses. Nicolas Cage's career is an interesting study in an actor who always brings their A-game, no matter how crappy the material, but when he does get good stuff, you can absolutely see why he became a star.
1. The House at the End of Time (2014)
This Venezuelan horror-suspense flick really took me by surprise, in a lot of ways, and I hesitate to say too much about it for fear of spoiling it -- I'm grateful that I knew very little going into it, and I think that's the best way to experience it. The plot, roughly, involves a woman named Dulce who is imprisoned for a murder that we know from the beginning she didn't commit. It's not clear what happened at first, but Dulce seems to be experiencing some paranormal phenomena. After a thirty year imprisonment, Dulce is released but remains under house arrest in the same house where the murder took place (elegantly solving the "why doesn't she just leave the house?" problem that plagues most "scary house" movies). And with the help of a priest, she tries to figure out exactly what happened all those years ago. This is seriously one of the better movies of this subgenre I've seen. The last twenty or thirty minutes were so satisfying to me, and there really aren't many movies that have made me as happy a viewer as I was during this movie.