Friday, October 27, 2017

Halloween Horror Triple Features, Day 2


How lovely to be a woman! LOL just kidding, it's pretty horrifying, am I right, ladies? And nothing better exemplifies the horrorshow of womanhood than the monthly hemorrhaging. Menses are featured in a handful of horror films, and such films could go hand-in-hand with films that deal with the horror of childbirth (Whaddup, The Brood!). So hit the deck, guys -- all three of these films have pretty memorable scenes involving bleeding vaginas. If you're going to do this triple feature, I'd highly recommend prefacing it with the educational short Naturally a Girl (bonus for the Rifftrax version -- why yes, the female reproductive system *does* resemble a 70s rock album cover).

THE LOVE WITCH (2016) -- Man, I love The Love Witch! On the surface, a loving homage to Hammer films and other lush Technicolor frightfests, but underneath a pretty serious exploration of gender roles. It also brazenly confronts our society's unease with feminine sexuality and sexual power. Not to mention feminine hygiene. I think it's also worth looking at this film through the lens of the history of witchcraft in America and the persecution of women believed to be witches, many of whom were simply outcasts who didn't conform to society's expectations of women and what their roles should be. (Streaming on Amazon, for free if you have Prime.)

VALERIE AND HER WEEK OF WONDERS (1970) -- This is usually seen as more dark surrealist fantasy than horror, but it's still pretty danged creepy. Not least for the ideas it so beautifully visualizes, which seem more timely than ever as our culture is finally starting to come to grips with how women are frequently treated as sex objects. The eponymous heroine's "week of wonders" is incited by her first period, illustrated for us in the film's most indelible image -- a drop of blood splashing on the pure white petals of a daisy, an unmistakable metaphor for innocence lost. This film blurs the line between reality and Valerie's subconscious, so any attempts to put things in some kind of order are misspent. Just let go of logic and let the movie wash over you. (Currently streaming on FilmStruckAlso available for rent on iTunes and Amazon.)

CARRIE (1976) -- This movie is about what happens when you have to go through the horrors of entering womanhood (not just the blood part) and have no tools or support system to help you deal with it. I can't believe there are people out there who think Carrie is the "monster" of this movie. Have you SEEN that shower scene?! The horror climax of this movie is NOT Carrie's rampage of revenge (which is much more cathartic than scary -- for me, anyway). Rather, it is the one-two punch of Chris's pig's blood prank (one of the best Hitchcockian "show them the bomb" set-ups by a director not named Hitchcock) and the confrontation with Margaret at the end. Carrie is the one with telekinetic powers, yes, but she is still quite powerless for most of the film and only uses her abilities as a form of self-defense. There's probably a comparison to Frankenstein/The Creature confusion to be made here, but I think it's an even better metaphor for women in general. (Available to rent on iTunes and Amazon; you can own the HD digital version on iTunes for 4.99 - just a dollar more than the rental cost.)

Almost Made the List: GINGER SNAPS, about a girl whose "monthly gift" is turning into a werewolf.

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